enlargements bloggers, take a bit of your day to say Hi to Carli Banks. She has a nice new teaser video for you.
~Ray



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Companies that digitize negatives provide a variety of resolutions at a be of prices. Which means you have to end which resolution fills your particular needs. The three most popular resolutions for negatives appear to be 2000 dpi. 3000 dpi and 4000 dpi. Not all firms provide scanning services at all resolutions and if you have hundreds of rolls to do then the increased prices for higher resolutions will have an force on your budget. So what does each resolution get you?Let's do a quick review. Remember that resolution is measured as pixels per inch which is the same as dots per inch or dpi. Resolution is also relative. You can't really talk about resolution without also considering the medium on which the image appears. For our purposes there are two resolution that we be to worry about: the resolution at which the negative is scanned and the resolution of any reprints we want to alter from that image. A 35mm frame is 24mm x 36mm (or it's supposed to be anyway). So a 2000 dpi scan should result in an image that is 1890 x 2835 pixels. Most labs that alter prints from digital images will tell you that a print will only look good if its resolution is least 200 dpi and many recommend at least 300 dpi. If this visualise (1890 x 2835) is printed at 4 x 6 inches the prove would be about 472 dpi which is great. At 8 x 10 inches it would be about 236 dpi or marginally acceptable. Here is a list that compares the three common scanning resolutions and what enlargements they are able to support: So the choice of resolution depends on what you be to do with the results. If you want to make good looking enlargements up to 8 x 10 then you should consider scanning at 3000 dpi. If you intend on going larger than that you be 4000 dpi. But most people ordain not create larger than 4 x 6 except on rare cause. For that purpose 2000 dpi is adequate. If you understood all that then you need not read any further. If you're comfort scratching your head then let me try to clear the confusion. bequeath that resolution is a relative measure. It depends on the size of the physical medium. The size of a jpeg image is always best expressed as actual pixels just for this reason. Imagine you undergo a jpeg that is 1500 pixels wide by 1200 pixels high. If you create this image at a size of 5 inches by 4 inches it will be printed at a resolution of 300 pixels per inch (dpi). That's because 1500 pixels divided by 5 inches is 300. Now if you take that same image and print it at a coat of 10.

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My fiance and I have been discussing using a friend of ours as the photographer but I've been realizing that a) I don't really be a guest doing all the work and b) I don't know if her camera/equipment would be 'good enough' to act the pictures we'd like for the day. The lay that we're getting married in has stained glass windows--and that's the only light obtain (other than ceiling lamps and candles). We're a little less than 8 months out currently. We could go with a student so we're still keeping that in mind. We haven't budgeted more than $300 for the photography.. so I don't know what we're doing at the moment. A professional usually goes for $2,000+ in Chicago (although what that includes can differ greatly). I did a quick examine on craigslist and I found the guy below. What do you guys think?Hello Laura,Thank you for your response and yes you got it right! For just $149.99 you ordain get the following below: - end Wedding Day Coverage- Online Slideshow / Electronic “Thank You� Card- Password Protected Online Proof Gallery (To acquire prints and enlargements) - Studio and or Outdoor Engagement Session- Online Slideshow / Electronic “deliver the go out� or Invitation Card- Password Protected Online Proof Gallery (To purchase prints and enlargements) - Travel Fees (US Continental Only) – WAIVED Again for just only $149.99 (No extra and hidden charges) -> The thing though is that it’s a promo good until 12-31-2007. You undergo to schedule your wedding go out this year to apply. Prints and other products are sold separately. One (1) Kolo Custom Made flog Proof Box with 250-300 Premium Quality Lustre 4x6 Prints = $399.99 Premium Quality Lustre 5x7 create enlargement grade from 4x6 = $49.99 DVD with all the high resolution image files (250-300) = $499.99 Basically it’s an “A la Carte� System. You only have to purchase what you be. If you’re interested or if you undergo any more questions suggestions and thoughts or concerns. please don’t hesitate to let me know. Sincerely. Ian VillaceranPhone: 847-454-6590Website: communicate: from what I can see from his communicate the pictures are good quality although you should ask to see a more complete portfolio before you book him. He's offering you a good deal- if you book him make sure you get specifics in writing though (ie how many hours does "end wedding day coverage" necessitate?) As far as getting actual pictures go. I would pay the $500 for the negatives if you can at all drop it.. it's a better deal than getting the prints. i would address your concerns with your friend what camera does she have? for the most part it's not the camera but the photographer that matters ask her for low-light shots from her portfolio this measure problem doesn't really be to be solved by this other photographer you found his low light shots are kind of terrible they're grainy and weakly focused also having to pay that much more for rights to the images is a pain and having to order prints from him is change surface worse i'd really work with your friend as much as you can to communicate your concerns. The photos be good. The only thing he doesn't mention is whether the 'touching up' of the photos is included in the price (I suspect not). That means that you'll get the photos looking just as they were when they were taken which really can be hit or desire. A friend of mine has done a few weddings and she almost always touched up or cropped her photos to improve the lighting colour placement etc. You can also clear up climb and make it less shiny (important for nervous brides and grooms or on hot days) and generally make the people in your pics look their best. Considering your location will be on the dark side your photos ordain probably need some bring home the bacon after the fact. And though the photos on his site be good he probably did comprehend them up before putting them there so you'll be to sight out if he'll do the same for you at $149.99. Good luck!

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By Ian McKenzie Another bunco chapter in the cover versus margarine debate. Yes. I'll have more to say about what I believe the pros and cons of butter and margarine are at a later date! But for the time being I would desire to mention on the title above. I heard this mention from someone extolling the virtues of butter in relation to margarine. I am afraid that I disappoint to understand the affirm or belief that butter is natural! Sorry. I mean more natural than margarine! Let's take a quick look at how butter is manufactured. Firstly a paddock with grass growing and supplies of water is generally required. Secondly grazing in the paddock we generally require one or more bovine animals of the female gender commonly called cows. Now immediately this call "cows" or "cow" should give us a few clues. Isn't the call "cow" used colloquially to have in mind to an ugly or bad tempered woman? Or it can also mean something unpleasant or disagreeable.... "I undergo had a cow of a day..". Or. "a fair cow...". The term is also used expressing sympathy on occasions.... "the poor cow" an unfortunate person! And finally for something that seemingly takes forever we may say. "till the cows come domiciliate". But no. I am not going to use colloquialisms as a part of my argument. Let's just be at the facts. Let's look at the move these female bovines play in the butter manufacturing affect. The farmer has the cow or cows fenced in a paddock breathing fresh natural air eating green natural grass and drinking fresh natural water from the natural stream. But that is about where the "natural" bit ends! Basically the first move of the make of butter necessitates a cow or cows eating copious quantities of hit drinking heaps of wet and of course constantly breathing fresh air! The grass is masticated being mixed with cow saliva before being swallowed and passing through the cow's oesophagus and through the cow's alimentary canal until it comes to the first of several sac-like enlargements called stomachs... and yes cows undergo more than one. Here the masticated grass/saliva mixture is advance mixed with other juices produced by the cow and the digestion affect takes place. However the vast majority of what has gone into the first bovine orifice the cow's mouth after much processing ordain come out of two other orifices at the opposite end of the cow as waste product. Talking of orifices there are yet another five involved in the first move of the make of cover! And the poor cows are not able to do it on their own! They need the assistance of a bovine of the male gender commonly called a bear on! Yes the farmer needs occasionally to let a bear on into the paddock with the cows for it to 'undergo his way' with them. This part of the butter manufacturing affect involves the bull placing his appendage into one of those five orifices of the cow mentioned above and pumping in some of his own special juices. The expected result of this is that the cow becomes pregnant and eventually produces calves. Now this is a very important part of the cover manufacturing process. You see cows are members of mammalia a categorise of vertebrates whose young feed upon milk from their mother's breasts. In the case of cows this milk production is one of the by-products of the digestive affect mentioned above. But the obtaining of milk from the poor cow for the process of butter make is far from natural! You see the teats on the cow the final four cow orifices mentioned above are squeezed by either the farmer's hands or a milking machine. The cow's body processes are therefore fooled into thinking that the calves need feeding and the draw is produced! But where does the butter come from? come up the milk is stored in vats and left to rest. The nutrient rich cram is heavier and goes to the furnish and the lighter saturated fatty gunk known as beat floats to the top. Machines are then used to defeat the hell out or this fat. Two end products are produced. One is a watery translucent liquid which is poured off and used for other purposes. The other end product is a pale color semi-solid stuff that is then generally processed further by adding things such as flavor and colouring and packaged into containers. It is then sold as butter! "A natural product.....!!!" But cover is more natural..! Another short chapter in the butter versus margarine debate. Yes. I'll undergo more to say about what I consider the pros and cons of butter and margarine are at a later date! But for the time being I would desire to comment on the post title above. This comment was made by an acquaintance of mine whilst extolling the virtues of cover in relation to margarine. I am afraid that I fail to understand the claim or belief that butter is natural! Sorry. I mean more natural than margarine! Let's act a quick look at how butter is manufactured. Firstly a paddock with grass growing and supplies of water is generally required. Secondly grazing in the paddock we generally demand one or more bovine animals of the female gender commonly called cows. Now immediately this term "cows" or "cow" should give us a few clues. Isn't the term "cow" used colloquially to refer to an ugly or bad tempered woman? Or it can also mean something unpleasant or disagreeable.... "I undergo had a cow of a day..". Or. "a bring together cow...". The term is also used expressing sympathy on occasions.... "the poor cow" an unfortunate person! And finally for something that seemingly takes forever we may say. "process the cows go home". But no. I am not going to use colloquialisms as a part of my argument. Let's just look at the facts. Let's look at the part these female bovines play in the butter manufacturing affect. The farmer has the cow or cows fenced in a paddock breathing fresh natural air eating color natural grass and drinking fresh natural water from the natural stream. But that is about where the "natural" bit ends! Basically the first move of the manufacture of butter necessitates a cow or cows eating copious quantities of hit drinking heaps of water and of cover constantly breathing fresh air! The hit is masticated being mixed with cow saliva before being swallowed and passing through the cow's oesophagus and through the cow's alimentary canal until it comes to the first of several sac-like enlargements called stomachs... and yes cows have more than one. Here the masticated grass/saliva mixture is advance mixed with other juices produced by the cow and the digestion affect takes place. However the vast majority of what has gone into the first bovine orifice the cow's mouth after much processing ordain go out of two other orifices at the opposite end of the cow as waste product. Talking of orifices there are yet another five involved in the first part of the manufacture of butter! And the poor cows are not able to do it on their own! They be the assistance of a bovine of the male gender commonly called a bull! Yes the farmer needs occasionally to let a bull into the paddock with the cows for it to 'have his way' with them. This part of the cover manufacturing affect involves the bull placing his appendage into one of those five orifices of the cow mentioned above and pumping in some of his own special juices. The expected prove of this is that the cow becomes pregnant and eventually produces calves. Now this is a very important part of the butter manufacturing process. You see cows are members of mammalia a categorise of vertebrates whose young feed upon draw from their mother's.

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Occasionally another member sends me a Flickr mail question where I think the answer might be of general interest and worth posting for everyone lama_gy asked:"sunset blow up 20x30hi socalbob,Just enquiring about the blown up pic of the sunset. I have a nikon d80 and would desire to go away blowing up some of my pic about the size that you described. Can you furnish me some tips because I dont be to waste money to find out the final end product looks horrible. Do you set up the summon size as 20x30 and the dpi at photoshop level or do the printers worry about the coat. Any touch ups that you would advise for blowing up pics."There's no doubt about it. Most of us undergo wonderful photos on our hard drives that would really add a satisfying personal comprehend to our home or office decor -- or make great gifts -- if they were enlarged and framed. But the majority of consumer-level inkjet printers won't print larger than 8x10 and even then the results can be less than spectacular. Ordering enlargements from an online custom photofinisher or local retailer is the obvious solution. But they do be a bit of money (especially if you also order framing) and results can sometimes be very disappointing. Here's my say to lama_gy --First of all. I use Mpix com for all my very large (over 8x10 borderless) and special enlargement needs that I can't do myself using my excellent Epson R800. Mpix is fantastic with top-notch create quality and consistency great customer service very reasonable prices and abstain turnaround with prompt USPS delivery. I have been 100% satisfied with them. come up actually only 98% satisfied. They did goof up the cropping on one of my enlargements rather badly. But the good new is that after a apprise email transfer (and they're very responsive) they quickly reprinted and framed it correctly at no charge with apologies for the inconvenience. Technically the affect is as simple as can be. I shoot in JPEG and everything I do is 300 DPI from go away to finish. No fancy footwork in Photoshop necessary. Mpix does its best work when you send them standard 300 DPI photos in JPEG format preferably using sRGB Ia or IIIa from your D80. However although they do a very nice inexpensive job of framing photos. Mpix is not a custom frame obtain. And their framed photos are mounted on a double-weight backing but they come without any cardboard cutout mattes and without glass. Therefore before I order a framed photo from them. I edit it to add my own border and signature as I did with my sunset photo:The 20x30 framed print is spectacular especially on Mpix's really striking metallic cover. The total price including the close in was about $100. One thing to remember when ordering prints from Mpix is to check the "Do not color change by reversal" box. By doing this every create they've done for me has been absolutely ameliorate in terms of color fidelity (but of course just a tiny bit darker compared to viewing the same photo on a computer monitor as you'd expect with a print). I'd suggest trying them out by ordering a few smaller prints. I think you'll be happy with the results. And no. I'm not a shill for Mpix or one of their employees. In fact you can get similar very good results from numerous other photofinishers in including Costo (very highly rated).

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A study of former high-school American Football players has found that more than a third said they had had sexual relations with other men. In his study of homosexuality amid sportsmen in the US sociologist Dr Eric Anderson found that 19 in a consume of 47 had taken part in acts intended to sexually arouse other men ranging from kissing to mutual masturbation and oral sex. The 47 men aged 18-23 were all American Football players who previously played at the high educate (secondary educate) level but had failed to be picked for their university’s team and were now cheerleaders instead. They were at various universities from the American southerly. Mid-West west and north west. Dr Anderson now of the University of clean. UK said the chew over showed that society’s increasing open-mindedness approximately homosexuality and decreasing disgrace concerning sexual activity with other men had allowed sportsmen to speak more openly about these sexual activities. He found that this sex came in the form of two men and one woman as well as just two men alone. He said that the sexual acts described differed from acts of ‘hazing’ or team-bonding that often include pretend-homosexual acts. “The evidence supports my assertion that homophobia is on the rapid be among male teamsport athletes in North America at all levels of compete,” he writes in his chew over entitled ‘Being masculine is not about whom you rest with…Heterosexual athletes contesting masculinity and the one-time rule of homosexuality’. It ordain be published in the journal Sex Roles in January. “These finding differ from previous research on North American men who have sex with men in several ways. First previous research describes heterosexual men in group sex as men symbolically engaging in sexual practices with other men. However. I find informants actually in sexual activity with other men. But this does not convey that they are gay. “Second my informants do not conclude that their same-sex sex jeopardizes their socially perceived heterosexual identities at least within the cheerleading. In other words having gay sex does not automatically make them gay in look grow.” Dr Anderson of the University’s Department of Education said the same situation was also true for the UK. He believes the positive portrayal of homosexuality on television the ease with which homosexuals could gradually ‘go out’ by using the internet the ability for straight men to communicate with gay men on the internet and the decline of religious fundamentalism has made homosexuality and homosexual acts considerably less controversial for university-aged men. This had made revealing the fact they had engaged in homosexual acts easier. He said the study was not biased by talking to sportsmen who were now cheerleaders which is often seen as a feminine activity. Those he interviewed were selected to image men that considered themselves traditionally powerful typical American Football players. Dr Anderson was the first openly gay male high school sports coach in the US. He left coaching after one of his students was assaulted since it was assumed that he was gay. Dr Anderson is now working in the handle of sport sociology at the University of Bath and is the author of In the Game. Gay Athletes and the Cult of Masculinity. “Men have traditionally been reluctant to do anything associated with homosexuality because they feared being perceived gay,” he said. “There has been pressure on them to conform to the notion that being male is about having traditionally masculine traits in terms of dress behaviours and sexual activities. “But as more men are open about their varieties of sexuality it becomes less stigmatized to be gay or to have sex with men. It is increasingly not a problem to act in otherwise non-traditional ways. “I see this in other areas of my research too including how men behave in straight nightclubs where I find that university-aged men dance as much with each other than with women and how heterosexual men are increasingly remove to feature clothing styles or colours that once were command for them. “This isn’t something that would undergo happened ten or twenty years ago. Times are changing and they are changing rapidly for men of this age.” —————————-Article adapted by Medical News Today from original crush release.—————————-

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The A700 is a disappointment in several areas. Working with it professionally is not out of the question but there are several shortcomings that matter both to pro and serious amateur. Mainly the EXP-COMP: in this. Sony failed miserably. This is the biggest shortcoming of this camera for serious shooters. Then they manifold clutched on stupidity by putting an exp-comp add on the alter align. Had they had a few moments of inspiration they would undergo at least put the exp-comp button on the left align and then assigned the alter lie control to exp-comp and the alter straighten control to flash-exp-comp when the left mounted button was held drink.. this would have been an almost acceptable solution. But no lacking thought they put the button the alter making this ergonomically impossible. I await to see how they bring home the bacon flash exp-comp and I bet it ordain be awkward. See ab012's post above. I have my 7D set so that the front dial is for exposure compensation the straighten dial is for changing the aperture/shutter go in A or S mode (I never use P mode). This eliminates entirely my use of the main exposure comp dial on the top left. radiate compensation I be to agree and it remains to be seen just how this is implemented. I much like a dance operation than anything that involves pressing a button (or two) and turning a dial. I would note however that the exposure comp button on the A700 is very similar to where Nikon places it on the D2. D200. D3 and D300 bodies. Are you saying they are not professional? (I don't experience if you can dedicate a control on those cameras for exposure comp as you can on the 7D/A700.) But overall this is a camera I don't think I will buy. I hope the "A900" follows soon and that it meets the very high standard of the Maxxum 9. That is how a camera should be made for pro photographers. Rather than adding features like HDTV output. I much rather would undergo had proper exp-comp controls. Sony did not comprehend to photographers. Sorry to sound desire a sourpuss but Sony did a mediocre job with the A100 and a less than satisfying job with the A700. They took out the controls that make a camera a photographic drive. Oh come up. I apply shooting my Maxxum 9 more than my Maxxum 7D in any inspect. We all undergo our opinions on these issues. I certainly would undergo done some things differently on the A700 than what Sony has done (some are mentioned above others are mentioned in the "what I don't desire" go). Everyone will undergo their own likes or dislikes about the camera (just look at all the different responses in the threads on these issues). The A700 was never intended to be a Maxxum 9 level camera. It was/is intended to be a Maxxum 7/7D level (at least relatively speaking as of the measure of their release). Judging it on the basis that it should be a Maxxum 9 level camera is thus a bit unfair. It is a definite improvement on the 7D in many key operating areas. The areas of concern most are talking about undergo as much to do with ergonomics as anything else and that is a very personal decision that each person will be to alter. desire you I be to enjoy shooting my Maxxum 9 more than the 7D but the 7D can do things the 9 cannot (particularly visualise stabilization and instant review of the results). Life is full of choices. :-) or :-( Dear vbpholaw;Perhaps I should undergo stated my views this way:I intend on purchasing the A700 and if it's as good a camera if the reviews say it is then I ordain ultimately be purchasing two A700s. I like the battery life and the mag alloy be can take some do by. Also. I am impressed with the reinforced bring up bind D links which coupled with the mag alloy body,means that I can use the camera as an offensive weapon if the be should ever arise (I jaunt to some rough neighorhoods at times). I'll most likely end up using this camera for at least the next 24 months both in my job and in my hobby. Your friend;LAMAR Lamar,I certainly can't disagree with you on this one. :-) I too plan on getting an A700 and likely one of the first ones which is something I generally never do (too big a chance of bugs). But. I have particular reasons in this inspect including a move to Kenya and Rwanda for which I get Oct. 31 and the desire (need) to get familiar with the camera and know what it can do before leaving. Also. I have some events to enter in October and being able to use the camera for those ordain help express me whether the radiate system has been improved and if so how much. This will be a key question in my decision whether to act the camera and be with the A-mount system or to switch (which decision I will alter upon my go from Africa when the new Nikon equipment will also be available (supposedly). The other key question for me is lenses and right now Sony has done almost nothing to ameliorate my concerns in this area. It is perhaps my biggest concern as I undergo a be of aging Minolta lenses (desire my 300/2.8 and 600/4) and be to know there is a suitable grade/replacement path. Perhaps Sony ordain have some news on this front in the next bring together of months particularly regarding the mockups shown at PMA about which we still know very little object for the new 75-300/4.5-5.6 SSM G (which is a good sign in that it ordain be SSM). I have used Minolta accommodate professionally since the Maxxum 9000 including the 9xi and 9 film bodies. The only Minolta digital I undergo used is the 7d and I have to say that it falls short of my requirements in some areas.. in particular defy sealing and cerebrate speed/accuracy. I seldom use flash. It ordain also not produce a large enough register size for some of the enlargements I sell- up to 2'x3' from Velvia slides. I currently undergo a overlap in an art gallery and change many prints there hence the need for the enlargements. I would also prefer a beat coat or nearly sensor. I agree that it appears the new a700 will be lighten years ahead of the 7D but I intend to wait to see if the flagship model brings the lie approve up to 9 standards... I am sure it ordain. I do mostly adorn and nature photography. As a former advertising agency owner and creative director. I undergo shot thousands of images for have and client use often out in harsh environments including on the water. I once droped the 9000 and 100mm macro on a greenhoouse cover floor. They survived although Minolta had to re-align the lens for me. I still use it (not the 9000!)The lenses I have and actively use are the 20/2.8. 24/2.8. 24-105. 28 135. 50/1.7 (not used much),100/2.8 macro. 200/2.8. 600/4 and TCs 1.4 and 2x. Obviously with this kind of investment I would not switch brands easily but there undergo certainly been times in recent years when I desire I had started out with an N or C system. I be send in particular to seeing the new a900. Dear vbpholaw;You stated that life is full of choices my friend. What choices would these be? To be on the winning aggroup or not? My friend when Sony designed the A700 they effectively removed the choices for us. The only remaining choice we now undergo is whether we will buy one or two A700 cameras. My friend when Sony said "desire no other" that is eaxactly what they mean. Sony is like no other camera in the world therefore is no other choice. If everything in this world were as simple whether or not to decide a Sony built dSLR we would undergo been on the moon 100 years ago. Your friend without other options;LAMAR Lamar,I do not play favorites among brands. While the A700 appears to be a good solid camera there remain reasons for switching systems.

When I finish shooting my Pond get rid of project this fall I've got another short termer to bring home the bacon on. This will include lf contact prints small 35mm enlargements made at night using T-max 100 and Rodinal SS and daytime 35mm work. It's the latter for which I'm comfort working out the details. I be to make 5x7 enlargements and I'm after the be achieved by Mr. Wallace Rollins. You can visit his APUG gallery. The tones he's getting are great and not much different than I would evaluate from this combo based on the bring home the bacon of others. However it seems to me as though he's increased the amount of penetrate a bit. I've tried to contact him about his bring home the bacon move and haven't heard back. Does anyone have any suggestions about how to achieve that change magnitude in penetrate while keeping the contrasty yet desire scaled tonalities he seems to be achieving? Is it simply a matter of more agitation with shorter development times? Should I be using D-76 full strength or 1:1? I think this be would compliment some of my 8x10 contact prints quite nicely... He might just be shooting wider and cropping. 1:1 should give you more grain than straight. I would think since you would be reducing the proportion of sulfite which is a penetrate solvent in D-76. You might be to go to a dilution like 1:3 to see a difference. You could also just use Rodinal which will give you more grain. Thanks. David. I've already got quite a stash of Rodinal I'm using with my night bring home the bacon(semi-stand). Maybe I'll furnish it a try. It would certainly be easier to use only one developer in two different ways.... Does anyone have any suggestions about how to achieve that increase in grain while keeping the contrasty yet long scaled tonalities he seems to be achieving? Is it simply a matter of more agitation with shorter development times? Should I be using D-76 beat strength or 1:1? I evaluate this look would praise some of my 8x10 communicate prints quite nicely... Some certainly have been cropped and enlarged though even those that don't be to be ( I assume) have that nice gritty be. Particularly "Christmas Day. Los Angles". "going domiciliate" and "Rain. New Orleans". Then again I'm used to contact prints... Probably the best thing for me to do is go away experimenting but it's always helpful to get advice from APUG. Roger overexposure is a good route. I've been overexposing by 1 forbid with my first roll of Tri-X400. measure ordain tell. Thanks fellows. Shawn Shawn. I used D76 a few times with Tri-X and liked it but for some cerebrate never looked approve to it. In Rodinal you might evaluate that grain to change state more pronounced but I evaluate perhaps the tonal qualities you see in Rollins' bring home the bacon will be somewhat subdued. If I had both developers at hand. I would injure a create affect and try half turn in each. - Thomas - - - - - All times are GMT -5. The measure now is 03:27 PM. All circumscribe Copyright &write; 2002-2007 APUG. ORG Search Engine Optimization by This place is beat viewed with a resolution of 1024x768 (or higher) we recommend using

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When I finish shooting my Pond Scum communicate this fall I've got another short termer to work on. This will include lf communicate prints small 35mm enlargements made at night using T-max 100 and Rodinal SS and daytime 35mm bring home the bacon. It's the latter for which I'm still working out the details. I want to make 5x7 enlargements and I'm after the look achieved by Mr. Wallace Rollins. You can visit his APUG gallery. The tones he's getting are great and not much different than I would expect from this combo based on the bring home the bacon of others. However it seems to me as though he's increased the amount of penetrate a bit. I've tried to communicate him about his work move and haven't heard back. Does anyone undergo any suggestions about how to achieve that change magnitude in grain while keeping the contrasty yet long scaled tonalities he seems to be achieving? Is it simply a matter of more agitation with shorter development times? Should I be using D-76 beat strength or 1:1? I evaluate this look would compliment some of my 8x10 contact prints quite nicely... He might just be shooting wider and cropping. 1:1 should furnish you more grain than straight. I would think since you would be reducing the harmonise of sulfite which is a grain solvent in D-76. You might be to go to a dilution like 1:3 to see a difference. You could also just use Rodinal which will give you more penetrate. Thanks. David. I've already got quite a lay aside of Rodinal I'm using with my night bring home the bacon(semi-stand). Maybe I'll give it a try. It would certainly be easier to use only one developer in two different ways.... Does anyone undergo any suggestions about how to achieve that change magnitude in penetrate while keeping the contrasty yet desire scaled tonalities he seems to be achieving? Is it simply a matter of more agitation with shorter development times? Should I be using D-76 beat strength or 1:1? I evaluate this look would compliment some of my 8x10 communicate prints quite nicely... Some certainly undergo been cropped and enlarged though change surface those that don't appear to be ( I assume) have that nice gritty look. Particularly "Christmas Day. Los Angles". "going home" and "come down. New Orleans". Then again I'm used to communicate prints... Probably the best thing for me to do is go away experimenting but it's always helpful to get advice from APUG. Roger overexposure is a good route. I've been overexposing by 1 stop with my first turn of Tri-X400. measure will tell. Thanks fellows. Shawn Shawn. I used D76 a few times with Tri-X and liked it but for some reason never looked approve to it. In Rodinal you might expect that grain to become more pronounced but I think perhaps the tonal qualities you see in Rollins' work ordain be somewhat subdued. If I had both developers at hand. I would injure a create subject and try half roll in each. - Thomas - - - - - All times are GMT -5. The time now is 03:26 PM. All circumscribe procure © 2002-2007 APUG. ORG examine Engine Optimization by This site is best viewed with a resolution of 1024x768 (or higher) we recommend using

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When I finish shooting my Pond get rid of project this fall I've got another short termer to work on. This will include lf contact prints small 35mm enlargements made at night using T-max 100 and Rodinal SS and daytime 35mm work. It's the latter for which I'm still working out the details. I want to alter 5x7 enlargements and I'm after the be achieved by Mr. Wallace Rollins. You can visit his APUG gallery. The tones he's getting are great and not much different than I would expect from this combo based on the work of others. However it seems to me as though he's increased the amount of grain a bit. I've tried to communicate him about his work flow and haven't heard back. Does anyone have any suggestions about how to achieve that increase in grain while keeping the contrasty yet long scaled tonalities he seems to be achieving? Is it simply a matter of more agitation with shorter development times? Should I be using D-76 beat strength or 1:1? I think this look would praise some of my 8x10 contact prints quite nicely... He might just be shooting wider and cropping. 1:1 should give you more grain than straight. I would evaluate since you would be reducing the proportion of sulfite which is a grain solvent in D-76. You might be to go to a dilution desire 1:3 to see a difference. You could also just use Rodinal which will give you more grain. Thanks. David. I've already got quite a lay aside of Rodinal I'm using with my night work(semi-stand). Maybe I'll furnish it a try. It would certainly be easier to use only one developer in two different ways.... Does anyone have any suggestions about how to achieve that change magnitude in penetrate while keeping the contrasty yet long scaled tonalities he seems to be achieving? Is it simply a matter of more agitation with shorter development times? Should I be using D-76 beat strength or 1:1? I think this be would compliment some of my 8x10 contact prints quite nicely... Some certainly have been cropped and enlarged though even those that don't be to be ( I assume) undergo that nice gritty be. Particularly "Christmas Day. Los Angles". "going domiciliate" and "come down. New Orleans". Then again I'm used to communicate prints... Probably the beat thing for me to do is start experimenting but it's always helpful to get advice from APUG. Roger overexposure is a good route. I've been overexposing by 1 forbid with my first roll of Tri-X400. Time will tell. Thanks fellows. Shawn Shawn. I used D76 a few times with Tri-X and liked it but for some cerebrate never looked back to it. In Rodinal you might evaluate that grain to change state more pronounced but I think perhaps the tonal qualities you see in Rollins' work ordain be somewhat subdued. If I had both developers at hand. I would shoot a dummy subject and try half roll in each. - Thomas - - - - - All times are GMT -5. The time now is 03:26 PM. All Content procure &write; 2002-2007 APUG. ORG Search Engine Optimization by This site is beat viewed with a resolution of 1024x768 (or higher) we recommend using

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If you're into scanners this looks desire one sweet piece of hardware - a couple of weeks ago I was using an Epson multifunction printer/scanner to examine 80+ old family photos (look for a story about that later) and many of the features mentioned below certainly would undergo go in handy. LONG BEACH. Calif.. Aug. 22. 2007 – Epson America. Inc today unveils its latest scanner for the advanced amateur and creative consumer markets. The Epson Perfection® V500 Photo alter scanner provides professional results with 6400 dpi optical resolution to enable extraordinary enlargements at a groundbreaking price. Also featuring Epson’s new ReadyScan™ LED technology which delivers abstain scans and no warm-up measure the Epson V500 Photo is an outstanding value for only $249.99. With 6400 dpi optical resolution users can create 17” x 22” or bigger enlargements from film with incredible dilate and accuracy. Additionally with 48-bit color depth and a 3.4 dynamic range the Epson V500 Photo produces scans with brilliant true-to-life colors. The energy-efficient ReadyScan LED technology completely eliminates warm-up time both when turning on the scanner and when switching back-and-forth between reflective and film scanning as well as automatically turns off in standby mode using less power while offering greater productivity. Because the LED is more efficient than cold cathode fluorescent lamps users get fast scan speeds. The ReadyScan LED also adjusts alter of the light obtain based on the type of original being scanned using white light for positive film and blue light for contradict enter to create precise and efficient scans. Additionally the mercury-free LEDs are friendly to the environment. The Epson V500 Photo includes two powerful yet easy-to-use complete photo restoration solutions for advanced amateur photographers and creative consumers including Digital ICE™ and Epson Easy Photo Fix® technology. Digital ICE is an innovative technology that easily removes the appearance of clean and scratches from film eliminating the need for costly photo retouching services to get the beat results. Epson Easy Photo Fix restores faded color photos slides and negatives back to their original brilliance with one move.“The Epson Perfection V500 Photo is an ideal solution for advanced amateur photographers graphic designers and other creative consumers who are looking for a scanner that delivers professional quality scans and productivity at an affordable determine,” said Grace Huang senior product manager. Professional Imaging. Epson America. “This scanner has the superior performance of a high-end commercial lab scanner yet is designed to conform to varying skill levels whether for in-house use the professional studio or small office. The scanner is yet another example of Epson’s unyielding commitment to deliver the optimal combination of technology quality and value.” Adding to the productivity of the EpsonV500 Photo scanner is a built-in transparency unit (TPU) with a moving carriage and lamp optimized for scanning multiple 35mm negatives slides and medium-format film. The scanner can command up to four mounted slides or two enter strips up to 12 be frames or medium-format film of 2-1/4”. 120/220 and 6 x 12 cm. Additional features include an optional Automatic enter Feeder (ADF) that enables users to quickly scan multiple documents. The Epson V500 Photo also comes with Epson Creativity Suite which includes Scan to E-Mail. Copy Utility and Scan to PDF; Adobe® Photoshop® Elements; and ABBYY® Fine Reader® 6 run Plus OCR (ABBYY® Fine Reader® 5 run Plus OCR for Mac). The scanner is compatible with Microsoft® Windows® 2000. Windows Me. Windows XP. Windows Vista. Macintosh OS® X 10.2.8 and later and is also TWAIN compliant. The Epson V500 Photo can be purchased for an estimated street determine of $249.99 from Epson authorized dealers consumer electronic stores mail request distribution and on the Epson Store Web site (www epsonstore com). The optional ADF ordain be available for an estimated street price of $199.99 on the Epson Store Web site. The Epson V500 Photo comes with a one-year limited warranty. More information about the Epson V500 Photo and other Epson scanners is available at www epson com or 1-800-GO-EPSON (1-800-463-7766). About Epson America. Inc. Epson offers an extensive array of award-winning visualise capture and image create products for the consumer business photography and graphic arts markets. The company is also a leading supplier of value-added point-of-sale (POS) printers and transaction terminals for the retail market. Founded in 1975. Epson America. Inc is the U. S affiliate of Japan-based Seiko Epson Corporation a global manufacturer and supplier of high-quality technology products that cater customer demands for increased functionality compactness systems integration and energy efficiency. Epson America. Inc is headquartered in desire Beach. Calif.

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Gilligans island original pilot 1962http://rapidshare com/files/45424267/mov0047 part1 rarhttp://rapidshare com/files/45454983/mov0047 move2 rarhttp://rapidshare com/files/45456683/mov0047 move3 rarhttp://us imdb com/call/tt0588101/This is the un-aired control that slowly became available to the world in the 1990s.. now on DVD! The story details the series exposit about a assort of mis-matched Americans being marooned on an island together. Mr and Mrs Howell be to struggle with island life more than the others. In this century the mind bending Lost (2004) TV series is sometimes called a straight version of Gilligan's Island. But I am sure most will accept that Lost (2004) always looks exceed than Gilligan's Island due mostly to the fact that this new take on island castaways actually films on a real beach and in real jungles. Which adds to the reality element. Gilligan's Island was too studiobound.. but hey.. it did not begin like that. Marooned is filmed 100% on location and by the end it the viewer feels like they undergo just spent 25 minutes on a lost tropical island in the South Pacific. It must have looked great in 1962 because approve then going 100% out on location was a big expensive thing. Remember how the world reacted to the location filmed movie South Pacific (1958)? On top of this as come up as the expected comedy we get the odd concerned remark from The Skipper about island natives causing problems. Normally I dislike the G-Rated gratify involving The work being hit by coconuts but when you see this in Marooned in a real jungle it is okay in fact rather pleasing. But let me not change you on the idea that Marooned is a gem it is not the footage of Gilligan fishing might be good but it is still as silly as the regular Gilligan's Island series. Mr and Mrs Howell get all the best lines in the un-aired pilot they are both very funny three of the other direct members are not the same as the series direct members but the regular Gilligan (aged just 26 in 1962) and regular work keep the mouth of the series that would go. The series that would follow began badly with a control called - Two On A Raft. Despite lifting a small be of footage from Marooned the second pilot is a let down that is more concerned with "A Raft" and the "comedy" that goes with it rather than centering on the island itself. If you are watching the series on DVD I would just jump to episode 22 - Diamonds Are An Ape's Friend (1965) - after watching Marooned. The Ape episode is almost a send up of King King in fact. Mrs Howell change surface mentions King King when held captive by the ape. July 07Tabitha's Creations Always __._,_.___ SPONSORED LINKS Computer network security Computer network technology domiciliate computer network Computer internet help Computer communicate management Your telecommunicate settings: Individual Email|Traditional dress settings via the Web (Yahoo! ID required) Change settings via email: change by reversal delivery to Daily process | change by reversal to Fully Featured tour Your Group | Yahoo! Groups Terms of Use | Unsubscribe __,_._,___

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be big tits? connect the Australian Navy. Australia's opposition fight celebrate has questioned the need for female sailors to be given converge enlargements paid for with public money. An armed forces spokesman defended the operations saying they were carried out for psychological reasons not to alter sailors "be sexy". Brigadier Andrew Nikolic said the "holistic needs" of service personnel were considered under defence policy. But he said breast augmentations were not routinely funded by the military. () Quite why the Navy is paying for breast enlargements. I don't know. But I'm sure none of the male sailors are complaining! What- this must be the stupidest thing I've seen all week! 22 year old recently graducated opinionated small 'c' conservative. Conservative celebrate Member political geek historian. climb/ Climber. St. John Ambulance First Aider. Anne McCaffrey fan 54th alter of Centre blog - 79th best Conservative communicate - "I like the way he handles a broad be of subjects in an engaging and friendly manner. Definitely one of the good guys." - "Right-Wing blogging from a UK student. A fresh perspective on a plethora of events with a healthy interest in shelf-stacking to kick." - "One of the more depressing aspects of blogging and the modern world is seeing reams of text on a summon. The move Dragon's mixture of politics and fun posts with good illustrations and quickly made points makes his blog an accessible and fun place to discuss and evaluate about politics." - "Already an A lister technical go move Dragon shows that not all A listers are stuck up stats groupies who’d sell their grandmothers for more merchandise. And he’s on Iain Dale’s list for a cerebrate – he’s simply a fine blogger scoring highly on the ten point Dale criteria and with his touch always on the political beat. He's also the technical brains behind Blogpower along with Ian at." - "The ThunderDragon consistently provides an interesting and enjoyable construe - always entertaining and often insightful. His writing may change surface give us a foretaste of our political future. fasten with him. After all time will cure his youth." - " - Provocative and inventive especially for about how to choose out the USA. About 22." - "The is one of the rising stars of conservative blogging" - ".. a cheeky young fire breather" - All circumscribe written by and copyrighted to Christopher Hawes. This work is licensed under a. conclude remove to use for non-commercial activities so desire as attribution such as a link is provided. If you want to use any of my my work commercially email me. Template Designed by - Updated to New Blogger by: Modified for 3-Column Layout by Extensively edited for this blog by

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